Spackman Media Group Artist Son Suk-Ku Set To Star In New Original K-Drama, CASINO, To Be Released Exclusively On Disney+ Worldwide In The Second Half Of 2022
- Written by Media Outreach
- Spackman Media Group artist Son Suk-ku set to star in a new Disney+ original K-drama, CASINO, scheduled to be released internationally in the second half of 2022
- Spackman Media Group artist Son Suk-ku's latest film, THE ROUNDUP,exceeded the 10 million viewer mark, making it the first movie to reach this milestone since the start of the COVID-19 pandemic
- THE ROUNDUP, starring Son Suk-ku of Spackman Media Group, also achieved the record for the most weekends atop the Korean box office among movies released in 2022
About Spackman Entertainment Group Limited
Spackman Entertainment Group Limited ("SEGL" or the "Company"), and together with its subsidiaries, (the "Group"), is one of Korea's leading entertainment production groups. SEGL is primarily engaged in the independent development, production, presentation, and financing of theatrical motion pictures in Korea. The Company was founded in 2011 by renowned media and technology investor Charles Spackman who served as the Company's Executive Chairman until 2017. For the past two decades, Mr. Charles Spackman has been a powerhouse in the Korean entertainment industry starting in the early 2000's with the pioneering success of Sidus Pictures, the largest movie production company at the time and the first to be listed in Korea. Mr. Spackman is also the Founder, Chairman and Chief Executive Officer of the global investment firm, Spackman Group. For more information, please visit http://www.charlesspackman.com and https://spackman-group.com/charles-spackman. Since its founding, SEGL had produced more than 30 major motion pictures including a number of the highest grossing and award-winning films in Korea, namely #ALIVE (2020), CRAZY ROMANCE (2019), DEFAULT (2018), MASTER (2016), THE PRIESTS (2015), SNOWPIERCER (2013), COLD EYES (2013) and ALL ABOUT MY WIFE (2012). Our films are theatrically distributed and released in Korea and overseas markets, as well as for subsequent post-theatrical worldwide release in other forms of media, including online streaming, cable TV, broadcast TV, IPTV, video-on-demand, and home video/DVD, etc. Generally, we release our motion pictures into wide-theatrical exhibition initially in Korea, and then in overseas and ancillary
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